近几年,被拍卖市场主导的中国艺术品市场中扯出了多少话题、多少笑料,“假拍”“拍假”“假鉴定”“假记录”。“假”成为了中国艺术品中谈论得最火热的形容词,而且好似变成了艺术品市场中的一种传统,被默认、被接受、被许可,甚至被传承。所有人都知道这不是好现象,很多人也极力去制止“假”事件的发生,然而“假”却从未离开人们的视线,不因个别关注,而是案例太多。基于目前人们无法谈论的信誉问题以及艺术品相关法律法规对拍卖市场中委托人和拍卖人的保护,二级市场中的“假”事件已经司空见惯。而组成一级市场的艺 In recent years, the Chinese art market dominated by the auction market has pulled out many topics, how many jokes, “fake ” “fake ” “false identification ” “false record ”. False has become the hottest adjective in Chinese art, and seems to have become a tradition in the art market, acquiesced, accepted, approved, and even passed on. Everyone knows that this is not a good sign. Many people are trying their best to stop the occurrence of “false” incidents. However, “false” has never left the people’s attention, not because of individual attention, but because of too many cases. Based on the current credibility issues that people can not talk about and the protection of the auctioneers and auctioneers in the art market, the “false” events in the secondary market have become commonplace. The composition of a market art