人们通常将嵇康诗之“清峻”,理解为“清高”和“峻切”两个相对立的美学概念的混合,所以常有关于嵇康诗是清高还是峻切的争论。但是刘勰、钟嵘所说的“清峻”,就诗风而言主要是“清高”的意思。验之于作品,嵇诗主要表现为形象的清超和意境的清空。嵇诗之清峻的独特性,在于作为美学概念的“峻”还有阳刚美的内涵,只有这一点才可与“清”相统一相补充。 People often interpret the “austere” of Kang’s poetry as a mixture of two opposite aesthetic concepts of “emptiness” and “austere”. Therefore, there are often debates over whether Kang’s poetry is noble or austere. But what Liu Yong and Zhong Rong called “austere” means mainly “noble” in terms of poetic style. Experience in the works, poetry is mainly manifested as the image of the super-clear and the emptiness of emptiness. The solemnity of the poem poetry is that the “austerity” as the concept of aesthetics and the connotation of masculine beauty can only be complemented by the unification of “Qing”.