阿道尔夫·阿披亚(1862～1928)是十九世纪末二十世纪初活跃于欧洲的著名戏剧艺术家,是一场写意的革新运动的先驱人物。他的美学理想是要摆脱自然主义的羁束,让演员在一个经过净化的雕塑性舞台上活动,结合音乐和剧情,运用灯光来突出演员,塑造气氛,使演出达到高度的谐美。阿披亚的理论和设计影响非常深远。在我国,早期在张庚、贺孟斧等同志的著作中,后来又在许多同志的文章中都有所介绍。阿披亚的一些名言警句,象“不要创造森林的幻觉,而应创造处于森林气氛中的人的幻觉”,和“舞台形象是织在时间上的图画”等,成了导演和 Adolphe Apia (1862-1928) was a prominent theater artist active in Europe from the late nineteenth to the early twentieth century, and a forerunner of a deliberate revolutionary movement. His aesthetic ideal is to get rid of naturalistic restraint, let the actors in a purified sculptural stage activities, combined with music and plot, the use of light to highlight the actors, create the atmosphere, so that the performance of a high degree of harmony. Apia’s theory and design have a profound impact. In our country, in the early writings of Zhang Geng, He Mengdao and other comrades, they were introduced later in many comrades’ articles. Some of Apia’s famous aphorisms, like “Do not create the illusion of the forest, but should create the illusion of people in the forest atmosphere,” and “The stage image is weaved in time.”