绘画中“气韵”之说,最早见于 南朝谢赫的“六法论”:“六法者何？ 一、气韵生动是也;二、骨法用笔是 也;三、应物象形是也;四、随类赋 彩是也;五、经营位置是也;六、传 移模写是也。”何谓“气韵”？ “气韵”本是合成词。古人对此也有分 清之处,如谢赫在《古画品录》中品 评历代名人画中,关于“气”的有: 卫协“虽不说备形妙,颇得壮气”; 张墨、荀勖“风范气候,极妙参神”; 晋明帝“虽略于形色,颇得神气” 等。而朴素唯物主义认为,“气”是 形成宇宙万物的最基本的物质实体, 又称元气,或称阴阳二气。宋张载《正 蒙·太和篇》:“太虚不能无气,气 Painting in the ”atmosphere“ is said, first seen in the Sheikh in the Southern ”Six Theory “: ”six law who? First, the rhythm is also vivid; Second, the bone is also used pen; Also; Fourth, with the class is also colored; Fifth, the business location is also; Sixth, the transfer model is also written. “Charm ” This is a synthesis of words. The ancients have also made a clear distinction between this, such as Xie He in the “ancient paintings Catalog” in the evaluation of celebrities in the past painting, on the “gas” are: Association for Health, “Although not prepared, wonderful, ”; Zhang Mo, Xun Xun “ style of climate, extremely wonderful ”; Jin Emperor Ming “ Although slightly out of shape, quite angry ”and so on. However, simple materialism holds that “qi ” is the most basic material entity that forms the universe and is also called the qi or yin-yang. Song Zhangzai “being Mongolian Taihe chapter”: "too virtual can not be gas, gas