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李孝萱从来都在状态。知道他画油画,我一点也没有惊讶。我却想到20世纪之初从海外归来的那批油画家们,后来为了适应国内的新的生存环境(这无疑是一个主要的动机和缘起),重新拣起小时候可能用过几天的毛笔,洋法上马,纯以西画的思维方式在宣纸上作起水墨素描来。我并不以为我的观点偏激——当我们用西画理念和方法(包括木刻、版画、
Hyak Hsiao Lee has always been in the state. I was not surprised to know that he painted oil paintings. However, I think that those oil painters who returned from overseas at the beginning of the 20th century later re-picked the brush they might have spent a few days as a child in order to adapt to the new domestic living environment (undoubtedly a major motivation and origin) Launching the Fa by Western Law, the way of thinking of purely Western painting starts with an ink sketch on rice paper. I do not think my point is extreme - when we use the concept of Western painting and methods (including woodcuts, prints,