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关于“纪录片”的真实性问题探讨,一直以来都是相关纪录片学者和专家探讨的重点。这个问题不是简单地来自于“纪录片”这个名称名片的翻译问题,从媒介技术和艺术处理以及思想呈现等方面都影响着纪录片的真实性。我国著名学者王志敏老师曾经在《现代电影美学体系》中说道:“电视剧的表演也是‘当场发生的’,也是‘一件真实的事情’,所以也是纪录。问题在于,表演本身是‘虚拟的’。……在这个意义上,除了动画电影,一切电影都是纪录电影。或者更绝对的说,包括动画电影在内的一切电影都是纪录电影。”引发笔者思考的是——首先笔者是赞同这种观点的——我们可否这样来思考,“表演场景”的真实是一部分,而经过摄录和后期所呈现出来的真实个体镜头所合一的,也是虚构的整体。从影像本体上来看,自从“真实电影”的出现,例如解说词的出现,这种原本的真实也已经大大的分解了。暨存在了,类似于解说词的声音和画面是否都具可靠的真实性和匹配的真实等问题。本文主要试图从纪录片的真实性探讨着手,论证我们应该辩证的看待纪录片的呈现,其本不是完整的真实、也非完整的虚构,而是对于真实与虚构的合一,其前提是选择性分解。
The discussion on the authenticity of “documentary” has always been the focus of discussion among documentary scholars and experts. The problem is not simply a question of the translation of the name card “documentary,” which affects the authenticity of the documentary in terms of media technology and artistic handling as well as the presentation of ideas. Wang Zhimin, a famous scholar in our country, once said in the Modern Film Aesthetics System: “The show’s performance is also happening on the spot and is also a ’real thing’, so it is also a record. The problem is that the performance itself is’ virtual In this sense, all movies, except animated films, are record movies, or more definitely, all movies, including animated films, are documentary movies. ”“ What triggers the author’s thinking is-first, the author Agree with this point of view - can we think of it this way? The real part of the ”scene of performance“ is part of a fictional whole that is captured by the recording of the real individual lens presented later. From the perspective of ontology, this original truth has been greatly decomposed since the advent of ”Real Movie " such as the advent of commentary. Cum exist, similar to the voice of the commentary and the picture are reliable authenticity and match the true and so on. This paper mainly attempts to discuss the authenticity of the documentary, demonstrating that we should treat the presentation of the documentary dialectically, which is not a complete real, nor a complete fiction, but a combination of reality and fiction, the premise is selective decomposition .