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文章通过对南京堂子街太平天国山水画的命名过程与研究脉络的考释,对现有命名方式的合理性提出了疑问,对堂子街四处山水画的地点进行了考证。在对“金陵图咏”进行脉络梳理的基础上,指出了这四幅山水画的原型应为清乾隆至同治间《金陵四十八景》中的四幅。文章分析了太平天国山水画为军事服务的目的,指出军事因素是对“金陵四十八景”中四景的选取原则。
Through the study of the naming process and research context of Taiping Heavenly Kingdom landscape painting in Tangguzi Street in Nanjing, this article questions the rationality of the existing naming style and makes a research on the location of the four landscape paintings in Tangzi Street. Based on the contextual mapping of Jinling Figure Wing, it is pointed out that the prototypes of the four landscape paintings should be the four of the Forty Kingdoms of Jinling from Qing Emperor Qianlong to Tongzhi. The article analyzes the purpose of the Taiping Heavenly Kingdom landscape painting for military service, points out that the military factor is the principle of the selection of the four scenes in the forty-eight scenes of Jinling.