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在西方传统的戏剧美学中,亚里士多德的悲剧理论一直倍受尊崇。亚里士多德认为,名声显赫的大人物理应成为悲剧中的主人公。然而,在其后出现的相关悲剧理论中出现了有悖于传
Aristotle’s tragedy theory has always been respected in the traditional Western theater aesthetics. Aristotle believes that the famous adult physics should become the protagonist in the tragedy. However, there appeared contradictions in the related theories of tragedy that followed