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宽堂教授作画,由来已久,入京后潜心教育、研究学术,疏于绘事,因此至今闻其文名人多,知其画名人少,此自然之势也。然近年见其作画,皆大为惊异!以其不仅已由早期单纯学白石、青藤之大写意,转而师承黄山画派戴本孝、梅瞿山之焦墨皴法、金陵画派鼻祖龚半千之积墨法,竟又由清而上追宋元,直逼北宋之范宽、关仝,五代之巨然,凛然取法乎上,而
Professor Kwong Tong painting for a long time, after entering the Beijing with great concentration of education, academic research, neglect to draw things, so far Wen Wen celebrities and more, known less famous celebrities, this natural trend also. However, in recent years, his paintings have been greatly surprised. Not only has he changed his mind from the simplicity of early white school to that of ivy, The plot of ink law, actually from the Qing and Shang chasing the Song and Yuan Dynasties, almost equal to the Northern Song Fan width, customs, five generations of the giant, awe-inspiring way, and