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巴赫金的复调理论体现了传统艺术观念向现代艺术观念的转变。到了20世纪,作家的创作促进了复调理论自身的深化和内部转变,本文主要对《喧哗与骚动》的对位式结构进行重点分析,揭示艺术观念的转向。
Bakhtin’s polyphony reflects the shift from the traditional concept of art to the concept of modern art. By the 20th century, the creation of writers promoted the deepening and internal transformation of polyphony theory itself. This paper mainly analyzes the para-structure of “Sound and Fury” and reveals the shift of artistic concept.