论文部分内容阅读
2016诺贝尔文学奖颁给了美国流行歌手、创作人鲍比·迪伦,引发了文学界的广泛热议:迪伦的歌算文学吗?歌手获诺奖是否意味着传统文学体系已经遭到解构?本文从文学本体论、文学类型学以及迪伦音乐的文学性等方面讨论了该议题。本文认为,词作并未超出文学的边界与范畴,迪伦获奖遭到质疑这一文化现象折射出文学界传统至上的类型崇拜与信心迷失,歌词作为不可或缺的文学类型,本身就是文学张力的具体范式。对迪伦获奖的争议不应该纠缠于文学形态,而应该回归对迪伦词作的艺术性向度的讨论。
2016 Nobel Prize for Literature awarded to the United States pop singer and creator Bobby Dylan, aroused a wide range of literary hot: Dylan’s songwriting literature? The singer won the Nobel Prize means that the traditional literary system has been Deconstruction? This article discusses the subject from the perspective of literary ontology, literary typology and the literature of Dylan. This article argues that the lyrics do not go beyond the borders and categories of literature, and that Dylan’s winning of the prize has been questioned. This cultural phenomenon reflects the loss of traditional literary traditions and the loss of confidence. As an indispensable literary genre, lyric itself is literary tension The specific paradigm. The dispute over Dylan’s winners should not be entangled in literary formations, but should return to the discussion of the artistic dimension of Dylan’s lyrics.