王朔的《顽主》和《私人订制》具有叙事的内在连续性,体现了作家一直保持着对小人物生活的关注,对“当下”现实的观察。但另一方面,王朔的“调侃”式解构后,无意于做更多的思索,这也成了他的“痞子文学”止步之处。 Wang Shuo’s “persistent” and “private custom” have the inherent continuity of the narrative, which shows that the writer has always been concerned about the life of the minor and observed the reality of “present ”. But on the other hand, Wang Shuo’s “ridicule” deconstruction, no intention to do more thinking, which has become his “riffraff literature ” stop.