戎生编钟一组8件,153字(其中合文1,重文9),为保利艺术博物馆所购藏,著录于《保利藏金——保利艺术博物馆精品选》(岭南美术出版社1999年9月版),同书刊有王世民《戎生编钟》、马承源《戎生编钟铭文的探讨》、裘锡圭《戎生编钟铭文考释》、李学勤《戎生编钟论释》(该文又刊于《文物》1999年9期)、王子初《戎生编钟的音乐学研究》等先生的五篇论文,诸家从不同的角度对铭文作了深入探讨。就笔者所见,除此之外,只有胡长春先生《金文考释四则》(《学术界》2005年6期)涉及了此铭。 Rong Sheng Bianzhong a group of 8, 153 words (including co-Wen 1, re-9), for the purchase of Poly Art Museum, recorded in the “Poly Tibetan money - Poly Museum of fine arts selection” (Lingnan Art Press, 1999 9 ), With books such as Wang Shimin “Rong Sheng bells”, Ma Chengyuan “Rongsheng bells inscriptions of the discussion,” Qiu Xiji “Rongsheng compiled Annotations of bell inscription”, Li Xueqin “Rongsheng bells on the interpretation of” (the article was published in the “artifacts” 1999 9), the Prince of the early “Rong Sheng chimes musicology” and other five papers, all from different angles, the inscriptions made in-depth discussion. As far as I can see, in addition to this, only Hu Changchun, “The Four Articles of Jin and Jin Dynasties Explained and Explained” (“The Academic Circles,” 2005, No. 6) deals with this inscription.