谢湘南的诸多诗歌表现能力,基于接近了最具人类终极自由的写作。也正是从诗人志向上,接近了当代主体价值上所强调的人类精神的写作。而这是很多诗人所不具有的。布考斯基作为美国物化时代,抵抗物化自由和异化的精神象征,他的诗歌能量几乎让巨大的玻璃,也会颤栗几下并局部地改变某种走向。但谢湘南在此遇到东方语境下的物化自由时代,当他以观察者的角度去审视某种巨大的玻璃时,他看到的荒诞面孔,在此时并不是被现实所击中的面孔,他保持了某种理性的沉默。他在客观 Xie Xiangnan’s many poetry skills, based on the approach to the most human ultimate freedom of writing. It is also from the poet’s ambition to approach the writing of the human spirit emphasized by contemporary subject values. And this is what many poets do not have. Bukowski, as the spiritual symbol of freedom and alienation in the United States in the materialized era of the United States, his poetry energy almost trembled with huge glass, trembling several times and partially changing some course. However, Xie Xiangnan encountered an era of materialized freedom under the oriental context. When he looked at a huge glass from an observer’s point of view, the absurd face he saw was not hit by reality at this time Face, he maintained a rational silence. He is objective