作为一部对加缪而言具有叙事疗伤意义的小说,《堕落》对研究加缪的文化身份具有重要的意义。本文依托叙事理论,分别从自传叙事、契约叙事以及叙事身份的层面出发,还原小说中的多种叙事声音,并以此作为加缪文化身份中的可述性,在身份的同一性和他者性中概括出加缪的文化身份状态。 As a novel that has a narrative healing significance for Camus, “Fallacy” is of great significance for the study of Camus’ cultural identity. Based on the theory of narrative, this article attempts to reduce the various narrative voices in the novel from the perspectives of autobiographical narrative, contractual narrative and narrative identity, and as the positivity in Camus’ cultural identity, Sex outlines Camus’s cultural status.