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作为希区柯克20世纪60年代的代表作,《群鸟》(The Birds,1963)除了在票房上大获成功之外,也在电影史上享有极高的地位,对惊悚片和灾难片等类型片发展均影响深远。然而,对于这部影片的解读,历来却莫衷一是。本文拟通过对影片的细读,对“鸟”的象征意义提出更为大胆的见解,以期为影片的理解增加新的角度。一或许因《惊魂记》(Psycho,1960)及《爱德华大夫》(Spellbund,1945)等希区柯克经典影片中
As the representative of Hitchcock in the 1960s, The Birds (1963) enjoys a very high reputation in the history of cinema as well as thriller and disaster films Film development has far-reaching impact. However, the interpretation of this film has always been different. This article intends to put forward a more daring view on the symbolic meaning of “Bird” through careful reading of the video in order to add a new perspective to the understanding of the film. Perhaps because of the classic Hitchcock films like “Psycho” (1960) and “Spellbund” (1945)