话本小说中的女性形象与传统才子佳人小说相比有着明显的不同,它把下层市女至性至情的抗争行动中凸显出来的爱情心理作为描写重点,或在诗意般生活里反抗绝望,或在劳役式的苦恋中进行绝望的抗争。本文旨在通过对话本小说中璩秀秀和周胜仙的形象比较,探讨话本小说中女性形象的局限性和超越性。 Compared with the traditional novels about gifted women and sages, the female images in calligraphy novels are obviously different from the traditional novels about gifted women and sages. It takes the love psychology highlighted in the protracted protest of women in the lower cities as the emphasis of description or the desperation in the poetic life, Or engage in desperate protests in servitude. The purpose of this paper is to explore the limitations and transcendences of female images in calligraphy novels through the comparison of the images of Mieshao Xiu and Zhou Sheng Xian in this novel.