本文通过对宋元戏曲中“做功”、“武打”、“舞蹈”、“拟声”等四类“科介”的分析研究,指出“科”、“介”源自道教与儒家的仪式行为,而其具体的表演动作,则广泛吸收、移植了历代百戏、杂技、游戏、舞蹈、民间社火中的表演技艺,显示出古典戏曲从仪式形态向戏剧形态的演化轨迹。 Through the analysis and research on the four kinds of “Keshi” in the traditional operas of Song and Yuan Dynasties, it is pointed out that “Keshi” “Mediated ” originated from the Taoist and Confucian rituals, and its specific performance moves extensively absorbed and transplanted performances of traditional opera, acrobatics, games, dance and civil society fireworks. Evolution from the ritual to the theater.