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中国画能独立于世界绘画之林发展至今,其与水的渊源至深。唐宋时期,中国绘画主要以重彩形式出现,画工瑾细,色彩妍丽,由于矿物颜色必须调胶调水加以使用,所以用水作为调和剂的矿物颜色在运用上基本都是以平涂手法出现,即使当植物颜料的不断加入使用,基于矿物、植物颜色两者不宜相混而赋色的特性,中国绘画的色彩只适宜追求平面效果,在达到“随类赋
Chinese painting can be independent of the world of painting until now, its origins with water deep. The Tang and Song dynasties, the Chinese painting mainly in the form of recollections, Craftsmanship Jin, Yan Yan Li, due to the mineral color must be transferred to adjust the water to use, so the use of water as a reconcile mineral color are used in the basic flat-tipped approach , Even when the plant pigments are constantly added and used, based on the characteristics that minerals and plant colors should not be mixed and the color is colored, the color of Chinese painting is only suitable for the pursuit of plane effect. When reaching ”