隋代碑刻书法的总体成就仍以楷书为主。它处在魏碑与唐碑两大楷书艺术高峰之间,在欹侧雄强向平正清健转换中,确立了端方峻峭的审美意境。并最终导致了“唐人重法”书法审美倾向的出现。严格地讲,隋、唐碑刻风格是找不到分界点的,如今耳熟能详的初唐名碑完全可以视同为隋碑。再者,欧阳询、虞世南等初唐书法大家均为隋人而入唐,是时代将他们的艺术强行切分为隋 The general achievement of calligraphy in the Sui Dynasty is still mainly in regular script. It is between the stele and the monument of the monument of the two stele art peak, in the side of the male to the positive and Qing Jian, established the aesthetic side of the cliff. And eventually led to the emergence of aesthetic tendencies of calligraphy in the Tang Dynasty. Strictly speaking, the style of inscriptions in the Sui and Tang Dynasties can not be found in the demarcation point. Now, the early Tang Dynasty monument that is well-known can be regarded as Sui Bei. Furthermore, Ouyang inquiry, Yu Shounan calligraphy and other early Tang Dynasty are all Sui and Tang Dynasty, the era of their art will be forcibly cut into Sui