园林体现了文人士大夫的生活理想,体现了仕与隐、闹市与山林的圆融。明代《园冶》作者计成既是造园家也是画家,造园艺术与画理相通,造园常依画理。吴门画派画家既是隐而不仕的文人,又是身居闹市、卖画撰文为生的职业画家,他们生活于闹市中的幽静园林,也以园林为题材创作山水画。 The garden reflects the life ideals of literati and doctor, which embodies the harmony between official and hidden, downtown and mountain forests. In the Ming Dynasty, the author of “Garden Metallurgy” counts as both a garden-maker and a painter. The art of garden-making is connected with the art of painting, and the garden often depends on painting. Wumen painters are both implicit and not literate men, but also occupy the downtown area, selling painting author for a living professional painter, they live in downtown quiet landscape, but also landscapes as the theme of creation of landscape painting.