是在长期的舞台演剧艺术实践中,豫剧形成了独树一帜的所谓“一腔遮百丑”舞台演剧美学特征,本文从三个方面给予探讨。首先,从中原文化艺术传统探析豫剧演剧“重(zhòng)唱、擅唱、多唱”审美艺术特征形成的历史因由;其次,通过与京剧舞台演剧艺术相异性的比较,指出豫剧舞台演剧美学特征之独特性;最后,解剖豫剧改革中所暴露出来的盲目效仿京剧、丧失剧种特点的非艺术现象,强调“一腔遮百丑”美学特征在豫剧舞台演剧中所具有的核心价值地位。 It is in the long-term stage theater art practice that the unique and so-called aesthetics of the stage drama is formed in the opera. First of all, from the Central Plains culture and art tradition to explore the historical causes of the formation of aesthetic drama, “emphasis on singing, good at singing, singing”; Secondly, through the comparison with the artistic dissimilarity of the theatrical performances in Peking Opera, The uniqueness of the aesthetics characteristic of theatrical performance; finally, dissecting the non-art phenomenon of blindly imitating the Beijing Opera in the reform of opera, losing the characteristics of the opera and stressing that the aesthetic characteristics of " Has the core value status.