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1883年,巴尔扎克逝世后第三十五年,法国文学家协会重新提起了为他建立纪念碑的问题。 罗丹的朋友们很自然地产生了这样的念头,为什么他,这位已负盛名的、最优秀的雕塑家,不能承担创作这座纪念碑的任务呢?每周都在诗人亨涅特处集会的新闻记者森绍涅,艺术史家保尔·埃乌德尔以及通俗小说家阿图·阿尔图,向爱米尔·左拉建议委托《地狱之门》的作者来完成这座塑像。这位马奈、塞尚以及独立艺术的捍卫者,由他以学院的名义提名罗丹作为候选人,是最合适不过的了。为此,左拉以他所特有的那种明智和慎重,让他在
In 1883, thirty-five years after the death of Balzac, the Association of French Writers reintroduced the question of establishing a monument for him. Rodin’s friends naturally came up with the idea that why he, the prestigious and finest sculptor, could not afford the task of creating this monument? Every week he meets at the poet Hennete Journalist Sen Sangi, art historian Paul Euudl, and popular novelist Arturo Arturo proposed to Emil Zola to commission the author of Hellgate to complete the statue. The Manese, Cezanne, and the defenders of independent art were the most suitable candidates for his nomination of Rodin as a candidate in the name of the college. To this end, Zola with his own kind of wise and careful, let him in