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本文除了着眼于建筑风景写生的语言的问题,还涉及到写生的绘画风格,就较为突出的具象与抽象问题,率先予以探讨,以提高大家对建筑风景绘画语言的把握,并以此为基点,希望后续进行更深入的研究。
In addition to focusing on the language of sketching landscapes and the painting style of sketches, this thesis takes the lead in exploring the concrete and abstracted issues in order to enhance everyone’s grasp of the architectural landscape painting language. Based on this, Hope follow-up for more in-depth study.