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2012年4月15日,第31届香港电影金像奖颁奖典礼隆重举行,“文艺片教母”许鞍华凭借电影《桃姐》第四次摘得最佳导演奖。步入影坛三十余年,年届花甲的许鞍华一袭时尚的后现代主义气息,以厚重深沉的人文关怀和质朴无华的交际智慧,在男性主导的香港影坛开创了全新的领地、谱写了事业的华章。利益面前,绝不借他人负面新闻为自己造势许鞍华执导处女作《疯劫》时,因前期拍摄超支导致后期宣传陷入窘境,就在一筹莫展之际,一家杂志爆料了主演林子祥拍戏耍大牌的新闻。投资方意识到这是免费为影片宣传造势的绝佳时机,竭力
April 15, 2012, the 31st Hong Kong Film Awards Presentation Ceremony was held, “art film godmother ” Xu Anhua won the Best Director Award for the fourth time with the movie “Peach.” Into the film more than thirty years, annual Anniversary of the Huanghua dressed in a fashionable postmodern atmosphere, with heavy deep humane care and simple communication wisdom, in the male-dominated Hong Kong film to create a new territory, write The cause of the chapter. In the face of the benefits, never negative news by others for their own potential.. Xu Anwar directed debut “crazy”, due to the pre-shooting led to the late post-publicity into the awkward situation, do nothing at a loss, a magazine broke the starring Lin Zixiang filming big news. Investors realize that this is a great opportunity to campaign for the film publicity, 竭力