《骆驼祥子》是老舍创作的社会批判意识较为显著的一部作品,深刻反映了当时社会对弱势群体的侵蚀。本文选取伊文。金的译本Rickshaw Boy进行分析。该译本产生于不同于当时中国的意识形态和时代背景之下,其结局的改写尤其引人注目。从翻译认知心理学的角度来看,该译本中出现这样的改写现象源自一定的语篇意图。在翻译的过程中,既会体现作者的语篇意图,也会体现不同译者的语篇意图。本文通过运用语篇意图的理论来分析这个英译本中结尾的改写现象。 “Camel Shoko” is one of the more prominent works of social critique created by Lao She and profoundly reflects the erosion of the disadvantaged groups in society at that time. This article selects Evans. Gold translation Rickshaw Boy for analysis. The translation originated from the ideology and time background different from that of China at that time, and the rewriting of its ending was especially noticeable. From the perspective of translation cognitive psychology, the appearance of such rewriting in the translation comes from certain discourse intents. In the process of translation, both the author’s discourse intent and the translator’s discourse intent will be reflected. This paper analyzes the phenomenon of rewriting at the end of this English translation by applying the theory of discourse intent.