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鸟虫篆印,始于战国而盛于两汉,此后沉寂千余载,至20世纪勃然而兴焉。鸟虫篆印取花鸟鱼虫等物象之大意装饰印文,点画间鸟翔夔翱,蜿蜒盘曲。具象与抽象交融复合,清新灵秀,富丽精工,极尽“奢华”之风。鸟虫篆印的创作,多以曲为直、以圆为方,化简为繁、巧以花饰,尽婉畅流动之意。我习鸟虫篆印,深知其精意非止绸缪之缭绕、纹饰之繁复,而在于篆法精熟于巧思、章法丰茂而虚实疏朗、线条跌宕有粗细穿插、刀法犀利显冲削之变化、意趣畅达尽笔种刀耕之事。
Birds and insects seal, began in the Warring States and flourished in the Han Dynasty, since more than a thousand years of silence, to the twentieth Century booming and Xing Yan. Birds and insects Seal flowers and birds take fish and insects, and other objects of the impression that the decoration of Indian, birds and birds between the Ao, winding winding. Mixed with the abstract and abstract complex, fresh and beautiful, beautiful Seiko, the best “luxury ” style. Bird insects seal creation, and more to the song straight to the circle for the party, simplification for the Fan, clever to floral, smooth and flowing meaning. I learn birds and insects Seal, well aware of its meticulous finish, complicated decoration, but rather in the essence of Ingenuity Zhuan law, chapter Fengmao and the actual situation, the ups and downs of the line interspersed with thick, knife sharp sharp significant punch Changes, the interest of all kinds of knife and tilling things.