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昨天那场改变无数人命运的“上山下乡”浪潮,时隔20余载,似乎已时过境迁。然而,对于直接或间接受到冲击的人们来说,梦魇还在继续。于是,在影视作品里就有了《蹉跎岁月》、《今夜有暴风雪》、《孽债》和《遭遇昨天》等等。《遭遇昨天》是陕西电视台拍摄的30集电视连续剧,与同是表现知青题材的电视剧不同,《遭遇昨天》又注入了新的内容。不再浓墨重彩地描述悲欢离合的过程和一味追忆那令人难忘的岁月;而力图把着眼点放在了展现20年后已成为国家民族栋梁的一代人的理想、情操、命运和生活上。在揭示他们对待事业、家庭、爱情的立场和观点的同时,也暴露他们于人性上的一些缺憾。以在京的陕西籍作家白描的报告文学《遗落荒原的种子》为线索,由陕西西北大学中文系教授、《半边楼》的编剧延艺云执笔,开机时仅写出5集。曾执导过《庄稼汉》、《神禾塬》的导演李源决定一边拍摄一边写剧本,延艺云自称在落笔时几乎没有敢看白描的原著,怕受限制。因为他要避开太浓的文学色彩而加重较强的商业色彩。目的是为了“好看”。或许39岁的延艺云是延安人的缘故,尽管他不属于“知青”的一代,但在落笔知
The tide of “going to the mountains and going to the countryside” that changed the fate of countless people yesterday appeared more than 20 years after it seems to have passed. However, the nightmare continues for those who are hit directly or indirectly. As a result, in the film and television there are “years”, “snowstorm tonight”, “evil debt” and “yesterday” and so on. “Yesterday” is a 30-episode TV series filmed by Shaanxi TV Station. Different from the TV series featuring the same educated youth, “Encounter yesterday” has infused new content. Instead of describing the process of joys and sorrows and recollecting unforgettable years, I tried hard to focus on the ideal, sentiment, fate and life of a generation that has become a national nation after 20 years. While exposing their positions of career, family and love, they also expose their humanity’s shortcomings. In the reportage of the writer Bai Shaofu in Beijing, “The Seed of the Lost Wilderness,” a clue was written by Yan Yiyun, a professor in the Chinese Department of Northwestern University in Shaanxi Province and writer of the “Half-Moon Tower,” and wrote only five episodes at boot time. Director Li Yuan, who directed “The Man of Han Dynasty” and “Shen Heyuan”, decided to write a screen while filming. Yan Yiyun said he almost did not dare to look at the original of the White Script while writing down, afraid of being restricted. Because he wants to avoid too thick literary and aggravate the strong commercial color. The purpose is to “look good.” Perhaps 39-year-old Yan Yi Yun is Yan’an people’s sake, though he does not belong to the “educated youth” generation, but at the end of knowledge