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艺术救赎是贯穿本雅明整体理论思想的一条线,他的艺术救赎思想与他所坚持的历史观联系紧密。本文试图结合本雅明的《德国悲剧的起源》一文论述其艺术救赎思想。本雅明的悲剧观不同于传统的古希腊悲剧,是一种悲悼剧。巴罗克悲悼剧并不是对古希腊悲剧的简单模仿,他有自己的意义,而寓言在其中又占有重要地位,寓言是悲悼剧的一种艺术形式,通过寓言实现悲悼剧的历史救赎,其中蕴含的是一种珍贵的诗性文化精神,具有一种诗意的栖居的现实意义。
Art salvation is a line that runs through Benjamin’s theory of the whole theory. His idea of artistic salvation is closely linked with his view of history. This article tries to discuss Benjamin’s idea of artistic salvation in his article “The Origin of German Tragedies”. Benjamin’s tragedy view is different from the traditional ancient Greek tragedy, is a mourn drama. Baroque mourn drama is not a simple imitation of the ancient Greek tragedy, he has its own meaning, and fables play an important role in it. Fables are an art form of mourn drama, through the allegorical realization of the historical salvation of mourning drama, in which Contained is a precious poetic culture, with a poetic sense of dwelling reality.