第一次观看导演应亮的《背鸭子的男孩》时,只记得满眼都是拖沓的长镜头,没有华丽的人物造型,没有花哨的镜头,没有动听的旋律,整部影片像是“城乡结合部”般的朴实无华,让人观之兴致缺缺。然而静下心来细细品味、反复观看,就会发现本片对于画外空间的塑造十分成功:导演应亮以其娴熟的场面调度手法,不仅在这有限的画框中讲述了徐云背鸭寻父的故事,而且又十分巧妙地将镜头中的画面与声音相结合,于镜头之外给受众塑造了更加广阔的空间—— The first time watching director Ying Liang’s “Duck Boy”, I only remembered all eyes are procrastination long lens, no gorgeous character modeling, no fancy lens, no melody, the whole movie like Joint "like plain, people lack of interest. However, to stop and savor, watch repeatedly, you will find the film is very successful for the creation of space outside the painting: the director should be bright with its skilled scene scheduling practices, not only in this limited frame tells the story of Xu Yun Duck Find the story of the father, but also very clever combination of the footage and sound in the camera, outside the camera to create a broader space for the audience -