在一篇题为《大屠杀的笑声》的文章中,泰伦斯·德培指出:“《浩劫》这部影像作品令人惊讶的特征之一是克劳德·朗兹曼和影片中的一些证人多次使用了嘲讽的语气,一种嘲弄般的讽刺,偶尔这种讽刺几乎接近一种无奈的笑声。”或许德培后来也意识到了这种对朗兹曼观察的刻意性,他接着说,“浩劫体现了一个时代对大屠杀表现的标志,从中我们也可以推测出对于大屠杀的艺术表现正在发生变化——这种回应的结果是艺术表现在表现内容和模式上的更加灵活化。”应该说,于上世纪八十年代完 In an essay entitled Laughter of the Holocaust, Terrence Depay pointed out: “One of the surprising features of the movie” Holocaust “is that of Claude Lanzmann and the film Some of the witnesses repeatedly used a mocking tone, a ridiculous irony, and occasionally this irony was almost a helpless laughter. ”Perhaps Derwent later realized the intention of Lanzmann’s observation He went on to say that “the Holocaust embodies the symbol of the performance of the Holocaust of an era, from which we can speculate that the artistic expression of the Holocaust is changing - the result of this response is the expression of artistic expression in terms of content and pattern On the more flexible. ”It should be said, in the eighties of last century finished