本文讨论的是与动画作品的美学品质具体相关的第二个方面:颜色和线条。对动画的色彩运用进行系统分析十分困难,因为即便是训练有素的绘画艺术家也倾向于将色彩的运用归于“本能”或“灵感”一类,认为没有可以言传的严格的准则。曾经做过美国联合制片公司(United Productions of America,UPA)和迪斯尼公司的色彩设计师的朱尔斯·恩格尔(Jules Engel)说过,如何运用颜色的感觉“是天生的——你或者拥有这种天赋,或者没有。”’尽管,很多无形的因素会影 This article discusses the second aspect that is specifically related to the aesthetic quality of animated works: colors and lines. Systematic analysis of color animations is difficult because even well-trained graphic artists tend to attribute colors to “instinct ” or “inspiration ” and consider that there is no strict standard of articulation . Jules Engel, a color designer who once worked for United Productions of America (UPA) and Disney, has said how colors are used. “It’s natural that you or Have this talent, or not. ”" Although, many invisible factors will be affected