学画伊始,是中国大地文化荒漠的20世纪70年代初期,那时的美术书籍对我这个工人家子弟来说比现在的珍藏孤版的善本书还难寻。那时的画家也不像现今这样腾云驾雾一般地天上地下无所不在。少年学画的我从胡乱涂鸦,到结识山水画家吴士淳先生、鉴藏家程子长先生开始,才有幸得以临摹《芥子园画谱》,临摹于非闇、刘奎龄、刘继卣等一些画家的印刷品,这些稀有的美术资料,从老师那借来是不易的,所以更多的时候是临摹样板戏的连环画或剧照。在70年 At the beginning of painting, it was the beginning of the 1970s in the cultural desertification of China’s land. At that time, fine art books were hard to find for the younger generation, such as workers and children. At that time, the painters were not so mesmerizingly exposed and underground as they are nowadays. From the graffiti doodles to the acquaintance of the landscape painter Mr. WU Shi-chun and the collector Mr. Cheng Zichang, I learned how to copy “Mustard Garden Painting” and copy some of the painters’ prints, such as non-dark, Liu Kuiling, and Liu Jiyu, Of the art materials borrowed from the teacher that is not easy, so more often is to copy the model drama comic strip or stills. In 70 years