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如果用阳春白雪来形容一门戏曲艺术,昆曲显然当之无愧。自从白先勇先生的青春版《牡丹亭》红遍国内外以来,昆曲作为一种古典而时尚的艺术在我们周围悄然兴起。这其中虽不乏附庸风雅之辈——“昆曲中睡觉,做梦也觉高雅”——看懂昆曲在其次,“我也是看昆曲的”才重要的人们,但是作为一门诞生600多年的戏曲本身,这未尝不是好事。然而,白先勇再有名,青春版《牡丹亭》也只能流行一时。昆曲的美妙、动人、赏心悦目,毕竟不能单靠一个人、一部戏就被大众接
If you use spring and snow to describe a drama art, Kunqu Opera clearly deserved. Ever since Mr. Bai Xianyong ’s youth version of The Peony Pavilion has been popular both at home and abroad, Kunqu opera has quietly risen around us as a classical and stylish art. Although there is no shortage of arty generation - “Kunqu in sleep, dreams are elegant” - to understand Kunqu followed, “I also see Kunqu opera ” is only important people, but as a birth of more than 600 years The drama itself, this is not a bad thing. However, another famous Bai Xianyong, Youth Edition “Peony Pavilion” can only be popular for a while. Kunqu Opera’s wonderful, touching, pleasing, after all, can not rely on one person alone, a play was the public access