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点击理由朱讲用以汉魏为基,审美上以古朴为主旨,线质古厚,结字开张,时时可见《石门颂》《石门铭》《瘗鹤铭》《嵩高灵庙碑》及“四山摩崖”诸作之形貌。他前先以静态的隶、楷书为主攻方向,以求静穆和浑古意态,同时又旁涉行草,以碑的静和古来融合晋以下行草书的畅和妍。因此,他的作品流露出的气质,既保留了“朴”“厚”的基调,同时又折射出他对碑帖融合的睿智。方折圆笔、长线短点、实笔飞白等这些对立的审美元素,都能在他“碑意”的线质下得到合理的调和。
Click to reason Zhu speaks on the basis of the Han and Wei, the aesthetic to ancient as the main line of ancient thick, knot opened, from time to time can be seen “Shihmen Ode to” “Shimen Ming” “Chi Heming” “Song Highling Temple Monument” and “ Mountain Cliff ”the appearance of the various works. Before his first static Li, regular script as the main direction, in order to silence and the ancient state of mind, while the line of conduct, to the monument to the static and ancient fusion Jin under the cursive Chang and Yan. Therefore, the temperament revealed by his works not only retains the keynote of “Pu” and “Hou”, but also reflects his wisdom on the integration of rubbings. Fold round pen, a short line of short, real pen fleeting white and other aesthetic elements of these opposite, can be in his “monument” of the line of quality be reconciled.