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一马浩然的《乔治·枫丹》画的是一处绿树掩映的别墅小景——薄熙来在法国尼斯的别墅——取景很平常,就像是从另一幢房子里不经意的一瞥。就风景画而言,这件作品似乎过于自然主义了些:没有让人耳目一新的景象,也没有印象派般微妙的光色变化;没有那类能引人激赏的玄妙语言,也没有那种震撼人心的心理氛围,艺术家似乎只是在以极平庸的写生手法不加修饰地画出了一种极平常的日常印象,一切都“自然”得甚至让人看不出景物究竟怎样触动了他的心弦。但心弦显然被触动了,因为在看似平常
A magnificent “George Fontaine” painting is a small tree-shaded villa scene - Bo Xilai villa in Nice, France - viewfinder is very common, like from another house inadvertently glimpse . As far as landscape is concerned, the work seems overly naturalistic: there is no refreshing sight, no subtle light color variations, no exaggeration of the mysterious language of that kind, The artist seems to have just painted a very ordinary daily impression in a very mediocre way of sketching. Everything is so “natural” that people can not even see how the scenery touches him. Heart chord. But the heart is obviously touched, because it seems normal