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拉萨聂塘寺于公元1055年由阿底峡尊者的亲传弟子嘎瓦.释迦旺丘主持修建,是藏传佛教后弘期重要寺庙。寺内有诸多藏传佛教文物,其中佛教造像保存完整,成为研究11世纪造像风格的重要依据。文章通过对该寺的实地考察,以比较研究的方式着重讨论了聂塘寺无量寿佛殿的泥塑群造像风格,认为该佛殿中塑造有藏、汉、印三种风格样式的泥塑,应该是自桑耶寺乌孜殿建造三种造像风格样式以来,三种风格样式集于一处的典型范例之一,更是这种建造习俗逐渐衰微的见证。
Lhasa Nie Tang Temple was founded in 1055 by the pro-disciple of the Atisha Venerable Gavi. Sheikh Wangaqiu is an important temple during the Tibetan era. The temple has many Tibetan Buddhist artifacts, including Buddhist statues preserved, as an important basis for the study of statues in the 11th century. Through a field investigation of the temple, this paper focuses on the comparative study of the statues of the clay sculpture group of the Nie Tang Shou Buddha Temple, and holds that the clay sculpture with three styles of Tibetan, Chinese and Indian styles should be Since the construction of the three statues of the Uzi Temple in Samye Monastery, one of the typical examples of the three styles and styles is the testimony of the gradual decline of this custom of construction.