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欣赏莉莉·莱曼的歌唱,从抒情诗到戏剧,从夜女王到费德里奥,从泽琳娜到唐娜·安娜①,使我们感到她的技艺确是举世无双的。在目睹了她扮演的纯粹花腔角色,《胡格诺教徒》中成功的夜女王之后,我们又看了她演唱的《伊索尔德》。这是她签约演出的第二场。她的歌喉谈不上洪大堂皇,根本压不过瓦格纳交响乐队毫不留情的音量。这类角色的演唱者,对其的要求不仅应是激
Appreciate the singing of Lily Lyman, from the lyrics to the drama, from the night queen to Federico, from Zelina to Donna Anna, so that we feel her art is indeed unique. After witnessing the purely flower-like role she played and the successful Queen of the Huguenots, we saw her “Isolde” again. This is her second signing of the show. Her voice can not talk about the grand lobby, at all but the merciless volume of the Wagner Symphony. The singer of such a character, the request of its not only should be excited