去年3月,我为上海昆剧团排了新改编的《长生殿》,4月初于上海公演,反映颇佳。今年1月,日本文化财团到上昆挑选剧目,为此,我又到上海,对此剧作了一些加工修改。有人问我:你是京剧导演,怎么到上昆去排昆剧?这就说来话长了。我对上昆有一种特殊的感情。早在六十年代初,华文漪、计镇华、蔡正仁、梁谷音等刚从戏校毕业,成立上海青年京昆剧团的时候,我就为他们排过京昆合演的《白蛇传》。我对他们深厚的传 In March last year, I arranged a new adaptation of the “Palace of Eternal Youth” for the Shanghai Kunju Troupe and performed quite well in Shanghai in early April. In January of this year, the Japanese cultural consortium went to Kunlun to pick the repertoire. For this reason, I went to Shanghai again to make some modifications to the play. Someone asked me: Are you a Beijing opera director, how to get Kunqu to Kunqu Opera? I have a special feeling to Shangkun. As early as the early 1960s, when Hua Wenyi, Ji Zhenhua, Cai Zhengren and Liang Guyin just graduated from opera academy and founded the Shanghai Youth Kunju Troupe, I arranged for them the “White Snake” co-starred in Beijing and Kunming. I have a profound biography of them