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对中国当代油画现状,我想用一句话来概括“模仿与回避”。模仿就是中国油画对西方油画形态学自身规律如风格、语言等各种造型因素的自律性的模仿,使中国油画具有西方油画的特性。而回避却是中国油画家对本民族文化的一种回避,而一味追求西方中心主义。对于前者,我认为是必要的,而且也符合中国油画发展的方向。对于后者,因为它舍弃了中
On the status quo of contemporary Chinese oil painting, I would like to summarize “imitation and avoidance” in one sentence. Imitation is an imitation of the self-discipline of Chinese oil painting on the self-discipline of Western oil painting morphology such as style and language, which makes Chinese oil paintings have the characteristics of western oil painting. However, it is the avoidance of Chinese oil painters on their own national culture and the blind pursuit of Western centralism. For the former, I think it is necessary, but also in line with the direction of development of Chinese oil painting. For the latter, because it dropped the middle