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我觉得,不妨把话剧艺术队伍作为一个群体。要繁荣话剧创作,中国话剧艺术队伍这个群体,有必要破除某些文化意识与审美习惯的局限。中国话剧艺术队伍这个群体,有许多宝贵的长处。比如忧患意识比较浓,社会责任感强,骨干队伍历经艰辛,生活储备丰厚,对事业有献身精神等等。但是,如果拿如今中国话剧创作种种不尽如人意的状况,与争芳斗艳的小说界相比,就可以发现,作为主体的中国话剧艺术队伍本身,确也存在某些局限,有待自觉地加以破除。
I think, may wish to drama arts team as a group. It is necessary to break the limits of certain cultural awareness and aesthetic habits in order to prosper drama and the Chinese theater arts team. Chinese drama arts team this group, there are many valuable strengths. For example, more concerned about the sense of urgency, a strong sense of social responsibility, the backbone of the team after hardships, rich living reserves, dedication to the cause and so on. However, if we take the unsatisfactory situation of Chinese drama creation nowadays and compared with fictionalist circles, we can find that there are indeed some limitations in the Chinese theater arts team itself as the main subject to be consciously To be broken.