收藏书画,特别是古代书画,首先要弄懂书画上的文字意义,始能心领神会,达到与古人沟通、融合的境界。否则,懵懵懂懂,似是而非。隔靴搔痒,不得痛处。曾见郑板桥有一联:“搔痒不着赞何益,入木三分骂亦精。”(图1)如以此联评述对书画文字的解读得失,是最为恰当不过的。古代文字,非学有专长,要依赖注解,始能明了。何况书画上的文字,往往比一般古文还要简洁,还要专业化,难度也就高一些。作 Collection of calligraphy and painting, especially the ancient calligraphy and painting, we must first understand the meaning of the text on the calligraphy, before they can take the hint, to communicate with the ancients, the integration of realm. Otherwise, sloppy, paradoxical. Tickling every other way, no pain. There have been a couple of Zheng Banqiao: “Itch does not praise Ho Yi, into the wood three points curse also fine. ” (Figure 1) Such a combination of comments on painting and calligraphy, gains and losses, is the most appropriate. Ancient writing, non-school expertise, to rely on the annotation, can understand. Not to mention the calligraphy and painting on the text, often more simple than the average classical, but also specialization, the difficulty is higher. Make