“田连”是见载于战国《韩非子》和三国魏嵇康《琴赋》中的我国先秦时期最早的鼓琴名家,然而,在旧注今释中,“田连”一直被误说为春秋时期的“成连”。本文通过对古今载说的考辩,特别是嵇康《琴赋》中的“伶伦比律,田连操张”赋辞的破析,论证了“田连”是为黄帝时期参与校定“十二管律”的著名琴师,发隐了中国上古乐史中几被完全湮没的一个重要乐人。 Tian Lian was the earliest guqin mastermind of our country during the pre-Qin period contained in “Han Fei-zi” of the Warring States Period and “Fu of the Three Kingdoms”. However, in the explanation of the old note, Tian Lian has been mistakenly said Spring and Autumn Period “into the”. This article analyzes the ancient and modern sayings, especially the analysis of the rhetoric of “Linglubi Law, Tian Liancao Zhang” in Ji Fu’s “Qin Fu”, and demonstrates that “Tian Lian” Law "of the famous musician, implicit in China’s ancient music history has been completely annihilated an important musician.