《无人驾驶》延续了张杨对话现实的创作个性,但作为一种“新城市”情感话语的尝试,影片并不算成功,影片的“真爱”元话语正在经受新社会现实的挑战,个体情感在遭遇现代消费城市释放的欲望时举棋不定,真情至上和物质主义的二元对立关系消解,在尚未建立令人信服的新的社会共同体之前,张杨依旧借助传统的情感理念来完成影片的价值建构,显示了影片立场内在的不一致性,最终未能建立一种强大的“新城市”情感话语。 “Drone” continues Zhang Yang’s realistic writing personality. However, as an attempt to “new city” emotional discourse, the film is not successful. The film’s “True Love” meta-discourse is experiencing new social reality Challenges, individual emotions in the face of the desire to release the modern consumer city indecisive, truth first and materialistic binary opposition resolved, before the establishment of a convincing new social community, Zhang Yang is still using traditional emotional concepts to complete the film The value construction shows the inherent inconsistency of the film’s position and ultimately fails to establish a strong “new city” emotional discourse.