苏轼的《琴诗》写道:“若言琴上有琴声,放在匣中何不鸣?若言声在指头上,何不于君指上听?”两句假设,两句反问,形象而深刻地揭示了一个道理:美妙的乐曲是由若干相互影响、相互制约的部分、要素构成的,是一个有机整体。在琴声中,弹奏者的指头、所弹之琴、弹奏技巧和弹奏者的思想感情等要素是相互依存、缺一不可的。乐曲如此,文章亦然。一篇经典的文言文是由文言、 Su Shi’s “Piano Poetry” wrote: “If there is a piano sound on the piano, why not in the box if the voice is on the finger, why not listen to the king?” "Two sentences, two questions, The image reveals profoundly the truth that wonderful music consists of a number of mutually influential and mutually restricting parts and elements and is an organic whole. In the piano, the finger of the player, the piano played, the playing skills and the thoughts and feelings of the player are all interdependent and indispensable. Songs so, the article is also true. A classic classical Chinese is from the classical,