在美国编剧罢工之后,中国编剧一百多人也集体签名维权。但把中美两国编剧做类比则失之于简单,因为无论是两国编剧的现实状况还是诉求,根本不在一个重量级。一个是奔小康后希望过得更好,一个还在要求解决温饱问题。美国编剧诉求的是在利益链条中占有更大的份额,中国编剧仅仅是为了维护最基本的权利,按时足额地给报酬。 After the American screenwriter strikes, more than 100 Chinese screenwriters also collectively signed their rights. However, the analogy between screenwriting in China and the United States is not easy. Because neither the actual situation nor the demand of writers in the two countries are simply at a heavyweight level. One wants to live a better life, and one is still asking for adequate food and clothing. The appeal of American screenplay is to occupy a greater share of the chain of interests. Chinese screenwriters only pay for their basic rights in full and on time and in full.