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油画“本土化”在上世纪九十年代成为美术理论关键词之一,它的提出,与之前的“油画民族化”有承接关系,但在很大程度上已经是文化意识的自觉体现,脱离了意识形态的束缚,承载了新时期美术思潮的冲突与转型。本土文化意识的构建也成为我们今天讨论油画中“意象”话语的背景与前提。本文即从本土文化意识的发掘角度,讨论上世纪八、九十年代油画理论话语的转变。
Oil painting “localization ” became one of the key words of art theory in the nineties of the last century, and its proposition was related to the previous “nationalization of oil painting”, but to a great extent it is already culturally aware Consciously embodying it, breaking away from the shackles of ideology and carrying the conflicts and transformation of the thought of fine arts in the new era. The construction of local cultural awareness has also become the background and precondition of today’s discussion of “imagery” in oil painting. In this paper, from the perspective of the excavation of local cultural awareness, we discuss the transformation of theoretical discourse of oil painting in the 1980s and 1990s.