“克孜尔模式”石窟是以新疆克孜尔中心柱石窟为典型代表的,是古代龟兹人在吸收外来佛教艺术的基础上大胆创新而开凿的,在我国佛教石窟遗址中占有重要地位。因为缺少有关开凿石窟的纪年材料,对其进行分期断代非常困难。然而中心柱窟的分期断代问题长期以来一直是一个倍受关注的问题,中外学者已经发表了不少包括中心柱石窟在内的龟兹石窟的分期断代意见,结论各不相同。通过考察克孜尔石窟的中心柱窟,从形制的变化、绘画内容演变、绘画风格以及克孜尔石窟在佛教石窟艺术中的地位入手,提出自己分期断代的观点。 The “Kizil mode” grottoes are typical of the Kizil center column caves in Xinjiang. They were created by the ancient Qizi people on the basis of absorbing the foreign Buddhist art and daring to innovate. They occupy an important position in the site of Buddhist caves in our country. Because of the lack of documentation about the age at which the caves were cut, it is very difficult to stage them in stages. However, the staging of the central pillar has long been an issue of great concern. Chinese and foreign scholars have already published many staged dissertations of the Qizi Caves, including the central pillar caves, with different conclusions. Through the study of the central pillar grottoes of Kizil Grottoes, this paper starts with the change of the form, the evolution of painting content, the style of painting and the status of Kizil Grottoes in the art of Buddhist grottoes.