《野草》是中国现代散文诗走向成熟的第一个里程碑。它以曲折晦暗的手法表达了作者内心世界的苦闷和对现实世界的抗争,语言奇崛瑰丽,意象玄妙唯美,被称为中国现当代文学史上最为杰出的散文诗。它诞生于北洋军阀黑暗统治的时代,与“诗体大解放运动”密切相关。从内容上看,它具有繁复的诗意和深刻的哲学内涵,首先是作者对生命与存在的追问与思考,其次是鲁迅心灵的受难与享福,再次,表达了作者的生命哲学即在绝望中奋起抗争,最后整部作品蕴含着强烈的自我和旧世界毁灭意识,在毁灭中实现新生与超越。从技巧上看,它又蕴含了诸如想象、象征、隐喻、反讽、变形等许多现代诗歌的写作手法。中国的现代诗歌自诞生之日起就饱受争议,尤其近年来更是面临受众群体越来越小,写作远离读者,趋向封闭化的窘境。本文旨在寻求《野草》与现代诗歌创作之间的共同点,以期对中国现代诗歌的创作和发展有所裨益。 “Wild Grass” is the first milestone in the maturity of modern Chinese prose poetry. It twists and turns the dark way to express the author’s inner world of depression and the fight against the real world, magnificent language magnificent, mysterious and aesthetic image, known as the most outstanding prose poems in the history of modern and contemporary Chinese literature. It was born in the dark reign of the Beiyang warlords and was closely related to the “Liberation movement of poetry.” From the content point of view, it has a complicated poetic and profound philosophical connotation. The first is the author’s questioning and thinking of life and existence, the second is the crucifixion and enjoyment of Lu Xun’s mind. Once again, he expresses the author’s philosophy of life that rises in despair In the end, the entire work contains a strong sense of self and the destruction of the old world, and will achieve new life and transcendence in the destruction. Technically, it contains the writing techniques of many modern poems such as imagination, symbolism, metaphor, irony and distortion. Since its birth, China’s modern poetry has been controversial since its birth. In recent years, it is even more confronted with increasingly smaller audiences and more and more of its writing away from its readers. The purpose of this paper is to seek the common ground between “weeds” and modern poetry creation in the hope of benefiting the creation and development of modern Chinese poetry.