论文部分内容阅读
作为创造社的中坚人物之一,成仿吾以其粗粝直率、尖锐泼辣的文艺批评风格驰名于20世纪20年代的文坛,在中国现代文艺理论发展史上具有重要地位。在20世纪二三十年代,他在创造社的刊物《创造季刊》《创造周报》《创造月刊》上发表了一系列关于文学理论与批评的文章,逐步形成了个人风格突出且自成体系的文论思想,对早期新文学的批评建设产生了较大的影响。按照温儒敏的划分,成仿吾的文学批评可以以1927年为界分为前后两个时期:前期是“社会—审美”模式,后期是
As one of the key figures in the creation society, Cheng Fangwu, famous for his straightforward and sharp style of literary criticism in the literary world of the 1920s, plays an important role in the development of Chinese modern literary theory. In the 1920s and 1930s, he published a series of articles on literary theory and criticism in the Creation Quarterly, Creation Weekly, Creation Monthly, and gradually formed a series of articles with prominent personal style Literary theory, the criticism of the construction of early New Literature had a greater impact. According to Wen Rumin’s division, Cheng Fang-wu’s literary criticism can be divided into two periods before and after 1927: the first is “social-aesthetic” mode, the latter is